COMPOSER FOR FILM, TV & GAMES
FOR BANDAI-NAMCO
Antonio Teoli
Antonio Teoli is an award-winning composer and a pioneer of Game Audio in Brazil, active since 2002. A graduate of Latin America’s first Game Design program at Universidade Anhembi Morumbi, he has scored over 450 games, animated series, and films.
Notable works include Taikodom, Sonic 30th Anniversary, Marvel Future Revolution Symphony, Good Job!, Dolmen, Nailed It!, Stormbound, Shadowverse, Takt Op. Destiny, and collaborations with artists like Bruce Dickinson, Graham Bonnet, Angra, and Felipe Andreoli. His clients include Nintendo, SEGA, Disney, Netflix, Samsung, Marvel, and many more.
He recently scored a National Geographic Special and is currently arranging new works with Bruce Dickinson. Antonio is the founder of Sounds of the Earth, focusing on indigenous sound preservation, and Andromeda Sound, an audio production company for games and film. He is also the founder of Game Audio School, now expanding globally.
He is a member of the Big Festival Audio Committee, Game Audio Network Guild, SCL, and Composer’s Diversity Collective.
Selected Clients
Disney
NatGeo
SEGA
Nintendo
Samsung
MARVEL
Netflix
Paladin Studios
Eon Rush
Modern Games
Wooga
vivo
Vice
TecToy
Second Life
Level Up
LEAP Game Studios
DenA
Hoplon
Massive Work Studio
Monomyto
Bruce Dickinson
Angra
Graham Bonnet
Game Credits
Movie/TV Credits
Artists
Concerts
Reel
IDEAS TO COLLABORATE WITH BANDAI NAMCO
I’d love to contribute to Bandai Namco and the Dragon Ball franchise by bringing a unique musical approach that blends authenticity, cultural relevance, and global appeal, especially connecting with South American audiences
1. New Arrangements with South American Influence
I can take the original Dragon Ball score and rework it with a Brazilian or broader South American touch. These new versions could be used in-game, for regional campaigns, or special events. It’s a way to stay true to the original while connecting more with fans in this part of the world.
2. Live Performances with Brazilian and Amazonian Elements
I have strong relationships with orchestras and musicians in Brazil, including some that are currently touring with my music. We could organize live performances that mix traditional orchestra with Brazilian instruments and even Amazonian textures when playing classic tunes from the Dragon ball franchise. We could also bring in singers like Ricardo Cruz, who’s already a well-known name in the anime community in Brazil. I am also very close to the band members of Angra, which I am sure, would love to collaborate on this.
3. Original Music Inspired by Brazilian Culture
I’d be happy to create original tracks for new characters, special events, or any moment that could use something new. These tracks could subtly or boldly bring in Brazilian styles depending on what fits best. I can of course, compose to many different genres if needed as well for the game or marketing campaigns.
4. Special Collaborations with International Artists
Since I’ve been working closely with Bruce Dickinson and Graham Bonnet, who are both legendary and have big fanbases in Brazil and Japan, we could explore bringing them in for a special piece or promotion. It could be something unique that speaks to fans across both regions.
5. Audio Identity for Regional Launches
I could create exclusive audio identities or sonic branding for South American regional launches. These could be quick theme stingers, menu ambiences, or short cues for platform-specific versions or limited-time modes for the game.
6. Music Packs or DLC Sound Bundles
We could release themed music packs as part of DLC content, maybe inspired by Carnival, Brazilian rock, or even Amazonian tribal energy. These could be used in menus, special modes, or player-selectable soundtracks, adding new ways to engage fans over time.
I am open to ideas and happy to be working with you, since I am a massive fan of the company and the IPs, like Dragon Ball, Gundam, Tekken and Soul Calibur (Mitsurugi is the best character ever!)
Thanks,
Antonio Teoli
